Review:

on 2010-02-23 donazuleika Said:

An infectious energy is apparent upon hearing Os Mutantes most celebrated release, their self-titled debut. Theres an undeniable playfulness to every single one of its 11 tracks. Given that the band (comprised of singer Rita Lee and brothers S?rgio and Arnaldo Baptista) is commonly recognized for blending elements of bossa nova, psychedelic rock, and catchy pop, some would argue they could produce nothing other than uncorrupt, authentic bliss.

Yet there is undoubtedly a degree of awareness that goes into piecing together such distinct rhythms and musical concepts, so as not to be too safe or too over the top. Not to say that there arent moments of pure Mutantes flight. The dinner party at the end of Panis Et Circenses is one, brought to life with the sound of cups clinking together and spoken requests to "pass the salad." During such bouts of sonic experimentation, conflict is buried just beneath a surface shimmering with everything from angelic harmonies to church bells, flute solos to beating jungle drums.

After all, it was 1968. From every corner of the world, revolution boiled in the blood of the youth. This newborn ferocity  a response to war, politics and general injustice  quickly found its way into each regions music. In Brazil, it was no different. Circa 1967, the Tropic?lia movement stood as a force to fuel artistic innovation and experimentation throughout the country. Along with masters and leaders of the movement Caetano Veloso and Gilberto Gil, Os Mutantes were eventually threatened by Brazils right-wing military government, which feared their openness to Western influences.

As such, the playful and rejoicing characteristics of Os Mutantes are laced with experimental leaps, such as the heavily distorted guitar riffs layered over almost tribal-sounding vocals in Bat Macumba. These moments dont bring anger or a sense of frustration to the music, yet being timely experiments in sound and creation, they certainly reveal the desire and struggle for change and evolution  for anything other than what had been.

Meanwhile, the bands experimental ventures are grounded by an occasional shout-out to their roots. Through the warm, earthy undertones of bossa nova, their distorting, mutating effects are given a softer and less intrusive presence. A Minha Menina, for example, is built on a foundation of homey, laid-back guitar strumming, while fuzzy guitar riffs float above, creating a dream-like, pensive state that inevitably alludes to the bands ties with tropicalismo.

Os Mutantes translates quite simply into The Mutants  embodiments of evolution and diversity. Change suddenly doesnt sound so scary, drastic, or painful. Amidst everyday sounds  the slurping from eating ice-cream, the clatter of dishes and silverware  there is a place for change, for exploration. Distortion eventually finds its place under the wing of bossa nova lullabies and the bands sensory approach to music. And it almost sounds natural.
Rating: 8/10