Alkaline Trio - This Addiction
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Album Details
- Artist: Alkaline Trio
- Album: This Addiction
- Label:
- Year of Release: 2010
- ME Rating:

- Reviewed by: tosnob on 2010-03-17
Thank god Alkaline Trio are back. With their new album, This Addiction, the Chicago punk veterans give us a taste of what punk should sound like.
You won't hear screaming. You won't hear whining. You don't get an atonal mess. You don't get lead singers who date pre-fab teeny-pop princesses.
What you do get from Alkaline Trio is energetic, melodic guitar rock with big hooks and catchy choruses. The title track in particular embodies everything good about punk. It, and songs like The American Scream, are the convergence of high octane chords, powerful vocals, and simple yet catchy hooks.
Now on their seventh studio album, the band has more difficulty sustaining the effort over the course of an entire record. Songs like "Draculina" and "Eating Me Alive" are a little too safe, but in the vacuum that is today's punk universe anything is welcome.
This Addiction may not be the best album of Alkaline Trio's career, but it's a damn lot better than most of what gets passed off as punk rock nowadays.
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Review:
on 2010-03-24 kev_stev Said:
Alkaline Trio have made and remade punky pop records over their fourteen year career, only recently expanding their sound to newer levels. Their seventh studio release, This Addiction, goes back to basics, returning to the low production and endearing punky-ness that are entrenched in the bands roots. The formula brings a group of successful songs, though overall it proves that the band has not survived the test of time, sounding like a group nostalgic for the past rather than optimistic for the future.
The albums eponymous opener thrives in its fuzzy, punk inspired guitars and a speedy drum beat, while producer Matt Allison, who worked with the band in the late 1990s, intelligently turns down the production to add authenticity to the bands punk edge. The metaphor of drug addiction (both heroin and methadone are mentioned) as a love addiction works well, as the songs bouncing rhythm keeps the repetition of the words this addiction from becoming irritating.
Dine, Dine My Darling follows with less dynamics and more pop focused instrumentals, playing almost like a calmer version of a song by The Gaslight Anthem. The guitar chords sharply jut during the verses and hum on the chorus, playing gently enough for the songs narrative lyrics to be the focus of the song. The band switches styles on the ska influenced Lead Poisoning, ending the song with a trumpet solo, which, despite its simplicity, fits well over the groups crunchy guitar chords.
Half way through the album, though, it seems that the band is intent on not treading new grounds, focusing their efforts on capturing their older sound rather than experimenting sonically. This becomes tiresome over the course of the album, as songs cease to distinguish themselves from one another, with an exception of a few standouts. After the shining The American Scream, which sounds almost like a Taking Back Sunday tribute, the band starts to recycle ideas musically, reaching dangerously close to monotony.
The latter half of the album begins with the heavy strumming and Blink 182-esque vocals of Off the Map, yet, for all the Blink influence, it noticeably lacks any drumming virtuosity of Travis Barker. Instead, the song merely drags on about rowing off the map on a boat: I can row, row, row my boat back to shore someday / So are you coming with me? Anchors away.
Draculina initially follows with a more gothic sound, but brings back the same guitar static, heavy strumming, and easily forgotten drums. Lyrically, the story is not all too compelling either: Leaving heaven behind for good this time, the angels can keep it / Ive got a devil inside that has been exorcised, now Im bleeding for Draculina.
Alkaline Trio ends the album with glossier production on Fine, bringing in church bells and cleaner guitars, but by this point most casual listeners will have given up, and they are unfortunately not missing too much either. It is not that the songs are colossal failures or as wallowing as other recent releases (see H.I.M.s Screamworks), but the excessive filler makes this album much better suited as an EP.
The effort to return to their glory days is admirable, but it is difficult to recreate the same magic that worked well over a decade ago. For one, the groups older material will always be cherished; anything new seems like a cheap imitation of the bands best work. So while some of the material here will appease fans, This Addiction is not as permanent or long-lasting as its title implies.
Rating: 5/10




