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Raekwon - Only Built 4 Cuban Linx


Raekwon - Only Built 4 Cuban Linx

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One of the lesser known Wu-Tang clan members has to be Raekwon. He had some early success (after 36 Chambers) with Only Build 4 Cuban Linx. As all Wu-Tang follow-up solo projects, Cuban Linx is filled with other members of the clan as well as many other guests. The best collaboration has to be the duet with Nas on "Verbal Intercourse". It has the dark feel but you can't help but know that they are having a blast on this track. Ghost Face Killer is all over this album too, on 12 of the 18 tracks in some form or another. "Knuckleheadz" and "Heaven and Hell" stand out in a stand out album as well.
As always, I have a hard time with the violence that occurs on tracks like "Can't Be All So Simple Then", where someone gets shot and gang members are panicking. Sure, sing about it but I don't need to relive it each time I listen to track 8. I love the rest of the track, in fact, I might even say it could be the best story by Raekwon. Small complaint for an otherwise flawless sample of hip hop. As little as two listens reveal some of the best rap that has ever been laid down. People, the Wu-Tang was not a fluke. Ever member of the group has their own talents that they brought into the Clan and even though Raekwon is probably the least talked about, he is one of the most talented.

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Rating: 8.0/10
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Review:
on 2011-09-16 CharlesMartel Said:

Yet more glorification of drugs and drug dealing. In the world of gangsta hip-hop, this is all there is, it would appear. Smacking up your bitch, dealing the dope and hangin with the n*****. What a wonderful theme to write music about again and again and again and again and again and again and again and again and a-f*****g-gain! I have been told that these themes are not glorification but commentary. OK, assuming that is true for one second, how many commentaries on this sort of low life lowlife do you need, and how long is it going to take to make them all?

Musically, this has nothing to offer and is just standard rap fare. Rip-offs of others' music (euphemistically called sampling) replaces the tiresome need to learn to play a musical instrument and instead reduces the musician to level of computer programmer. As a result, there is a limited use of instruments, and then in an overly repetitive manner and above all an over-reliance on programmed drum machines. Yep, this is the sort of rap which gives the whole genre a bad name in some quarters. This is the reason why I have struggled long and hard to find anything worthy of praise in the whole damn scene. It has absolutely nothing to recommend it.

As if the music (beats to give it its proper name) were not shallow enough, there is the dreadful mangling of language still to contend with. There is a persistent inability to identify the natural flow and stress of language and incorporate it into the rhythm of the song. Instead, the rhythm and stress of language is ignored when necessary and forced, artificially, into a pre-defined beat which bears no relation to it. The result is a truly dreadful sound, devoid of any lyrical merit whatsoever. The wrong syllables are stressed; breaths are taken at inappropriate moments; consonants are omitted; vowels are lengthened or shortened as and when necessary (imagine listening to an album of verbal manglings like "I am an anarchiste"). Add that fact to the apparent absence of any musical talent and one is left wondering how this can be listened to.

Ultimately, it all comes back to the message. Like so much gangsta, that message is all about the laudable aim in life of two low lives to score big on the drug trade while making sure their woman is treated as little better than a chattel. What a wonderful ideal to look up to! The result is revolting and should leave a sour taste in anyone's mouth. Why anyone thinks that the message, as conveyed in the story of this album, is worthy of anything except a footnote in a prison record is beyond the thought of rational man. If this is truly the future of black musical culture (and I doubt it), if this is what the music of Robert Johnson, Muddy Waters, Smokey Robinson, Jimi Hendrix must be compared with, then there is truly no hope for humanity.
Rating: 1/10


Review:
on 2007-08-01 SunglassesAtNight Said:

if you like this, check out his da vinci album
Rating: 10/10



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