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R.e.m. - Out Of Time


R.e.m. - Out Of Time

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A lot of the time, when a band makes that cross over from indie-land to mainstream land, they lose a lot of things. One thing they lose a lot of is former fans who almost invariably accuse them of selling out (like living in penury, sleeping in the back of a broken down old van eating cold baked beans from a can and playing gigs in dives holding 25 people and a cat is what EVERYONE aspires to). More significantly, it is widely assumed that they lose some of their musical integrity as they feel it necessary to compromise their music to meet the financial needs of the record company (like all independent record labels want to be permanently on the edge of financial collapse). However, while I will frequently rail at bands for "selling out" and can easily point at bands who have compromised their music (the Psychedelic Furs), there is a case to argue that actually it is a natural progression of simply running out of creative steam. Could that be an alternative reason why bands who have crossed over to the Dark Side of the Mainstream sound so different?

(OK, I admit, it could be that the different and, dare I say, more professional production may have an influence. But for the purposes of this review, we shall disregard that, shall we?)

R.E.M.'s Out of Time is a case in point. I have mixed feelings about this album. Some of the songs - "Shiny Happy People" and "Losing My Religion" are great and can be said to follow in the tradition of catchy R.E.M. numbers of the past. Others seem to wear me down. It is as if R.E.M. were, at this point, really struggling to come up with something in terms of new and innovative material without losing sight of the sort of stuff which had brought them this far - and by and large failing to achieve on both counts. It is not so much a case of creative compromise as creative exhaustion. Could it be that R.E.M. (as well as other bands who have "sold out" to the mainstream) have simply run out of ideas?

It is almost as if, on this album, the listener is invited in to hear the couple of good tracks on the album and, just in case there might be something else to take your fancy, to stick around and listen to the rest. The rest I have to say is mostly filler. "Near Wild Heaven" is about the only thing that is memorable out of the rest, but it not up to the level of the two tracks which stand out. "Radio Song" follows the trend of the time and uses rap and, almost predictably, as a result is probably the single worst piece on the album. Why artists choose to use the imaginary vocal talents of people who cannot even use the natural rhythm in the words to create a rhythm and instead try and bend and twist words in way which the language was never intended to be misused, to suit their fake 'beats'...maaaan...is beyond me? It has been tried several times by several different artists and has never contributed anything except to drag the track down. The two styles just do not mix.

So what, I hear you say. Well, exactly. I used to play this a lot but apart from the aforementioned tracks, I find it hard to get worked up about it now. I purchased this album not that long after I had purchased the two albums I already had of theirs on the IRS label. Sadly, I was somewhat let down by the now quite commercial outfit which had emerged. Yet I am not ready to blame R.E.M.'s record label for this change. The more I listen to this the more I feel that the responsibility lies with the band themselves.

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